Everything You Wanted To Know About Indians But Were Afraid To Ask – From renowned Ojibwe author and professor Anton Treuer comes an important book of questions and answers for Native and non-Native young readers.

“Why the fuss about non-natives dressing up as Indians for Halloween?” “Why is this called a ‘traditional Indian fried bread taco’?”, “How is that for locals who don’t look native?” “Why are Indians imagined instead of understood?” and besides,

Everything You Wanted To Know About Indians But Were Afraid To Ask

Honorable Mention Julden Batter Award WinnerChicago Public Library’s Best Kirkus Books of the YearABC’s Best Books for Young ReadersTLA’s 2022 Texas Topaz Reading ListChicago Public Library’s Teen Book Covers of the YearIllumiNative Children’s Book Gift Book Selected AICL’2022. Texas Topaz SelectionCybils Awards FinalistCCBC Selection

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“An extensive collection of provocative questions and satisfying answers. Perfect for browsing or deep diving.” (San Francisco Chronicle).

★ “Smart, well-researched, unforgettable. This collection of short essays on Native Americans is comprehensive, fair, and generous.” (Kirkus (star).

★ “Reading this book is like enjoying a conversation with a close relative who wants you to learn, grow, and ask questions. This book is an essential resource about the indigenous peoples of contemporary North America. Recommended for all libraries.” (SLJ (asterisk))

“It’s a personal, contemplative but well-grounded take on the present and the past, and it’s a great place for young readers who are beginning to ask clear questions.” — BCCB

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“This would be a good resource for readers to begin learning about Native American history, life, and culture.”-

“Treuer brings both humanity and style to his research and cultural commentary. A surprising depth of knowledge and insight complements his conversational writing voice. Treuer’s latest edition should be on every American bookshelf and in every American history classroom. — Cowboys and Indians

Dr. Anton Treuer (pronounced troy-er) is an Ojibwe professor at Bemidji State University and the author of 19 books. His justice, education and cultural activities led him to serve the region, the nation and the world. Do not take. from Princeton University and an M.A. and Ph.D. from the University of Minnesota. He is the editor of the newspaper

, the only academic journal in the Ojibwe language. Dr. Treuer teaches everything you want to know about Native Americans, but are afraid to ask, cultural competency and equity, strategies for solving the “achievement” gap, and tribal sovereignty, history, language, and culture throughout the US, Canada, and several foreign countries. He has served on numerous boards and has received more than 40 prestigious awards and fellowships, including awards from the American Philosophical Society, the National Endowment for the Humanities, the National Science Foundation, the MacArthur Foundation, the Bush Foundation, and the John Simon. Guggenheim Foundation. His published works include

Nutmeg: What It Is And How To Use It

Everything You Wanted to Know About Native Americans But Were Afraid to Ask, Language Warrior’s Manifesto: How to Save Our Language No Matter What, Warrior Nation: The History of Red Lake Ojibwe

(Winner of the Carolyn Bancroft History Award and the American State and Local History Association Award),

Atlas of Indian Nations, Indian Wars: Battles, Bloodshed, and the Struggle for Freedom on the American Frontier

(“Minnesota’s Best Reads of 2011” by the Book Center at the Library of Congress). Treuer serves on the board of directors of the Minnesota State Historical Society. In 2018, he was named a Guardian of Culture and Life and received a Pathfinder Award from the Association of Tribal Archives, Libraries and Museums. Through his studies, exhibitions, curatorial work and residencies, Saulteaux artist Robert Hole has had a significant impact on contemporary art and local culture. Hole’s resignation as curator of modern Indian art at the National Museum of Man (now the Canadian Museum of History) in 1980 was a landmark in the artist’s career, paving the way for a remarkable artistic output. With an emotional desire to liberate ceremonial objects from being turned into anthropological artifacts, Hull pledged to dedicate his artistic career to changing the way we view what constitutes contemporary Indigenous art through his artistic and curatorial practice.

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“Hole combines and synthesizes contemporary art trends with indigenous traditions, encouraging a new worldview that reclaims the lost caves of First Nations cultural memory. Her work highlights issues related to indigenous peoples, including land rights, the struggle for indigenous art and artists’ rights, the museum, and self-decolonization.” Shirley Madill.

Hole’s work reveals how First Nations art has been influenced and opens up critical discussions and perspectives on political and cultural issues surrounding First Nations peoples, including defining Indigenous identity, reflecting the impact of colonialism, responding to crises such as Oka, and land claims and housing. solving summer schools. . Through his writing and participation in early, important high-profile exhibitions, Robert Hole was instrumental in bridging the gap between contemporary First Nations artists and the wider Canadian art scene.

In 1992. This book also explores the artist’s site-specific and public art projects and residencies, demonstrating the artist’s impact and import on Canadian art.

Shirley Madill is executive director of Kitchener-Waterloo Art Gallery. Previously, he was director/curator of the Rodman Hall Art Center; Director General, Art Gallery of Great Victoria; Chief Curator/Director of Programming and Vice President, Art Gallery of Hamilton; and Curator of Contemporary Art and Photography, Art Gallery of Winnipeg. “When I die, my soul will crush these waters until all of that lake returns to the hands of my people.” — Peter Graves

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From U.S. Having a rich cultural life is not just about seeking and searching; it’s about the inner search. We can do that no matter where we live. Awakening is healing and empowering. — Anton Treuer,

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You are a complete, complete understander. You are a soul with a body. You are the one your ancestors have been praying for and waiting for from generation to generation. You have been given a unique set of gifts, and you are a gift to the world. —Anton Treuer, The Cultural Toolbox: Traditional Ojibwe Living in the Modern World

You are a complete, complete understander. You are a soul with a body. You are the one your ancestors have been praying for and waiting for from generation to generation. You have been given a unique set of gifts, and you are a gift to the world. — Anton Treuer,

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“This particular being, either from a dream or some other source of influence, feels obliged to impose upon himself the whole appearance of a woman as the only means of appeasing his manito. . . In this way, they succeed completely, even in their voices, they cannot be distinguished from women. They also shorten their walks; twiddling his thumbs and doing all the menial work of the lodge; Of course, wear coats, breastplates, and even go through a marriage ceremony! Nothing can induce these men and women to take off these imitation clothes and resume their manly exercises.

Leaders. . . [They] live and die in the belief that they are acting in a role that a dream or some other influence has inevitably shown them.” — Thomas McKenney, 1826

Healthy Babies, Mothers, and Communities: A Local Perspective on Home Visiting, the Health Professions, and the Communities We Serve (personal)”I think what sometimes gets lost in our conversations about historical trauma and loss is that it’s not just the evil that’s passed on. things,” he said. “Good things also go forward. We are heirs not only to historical trauma, but also to historical resilience.” — Anton Treuer

From U.S. Having a rich cultural life is not just about seeking and searching; it’s about the inner search. We can do it no matter where we live. Awakening is healing and empowering. — Anton Treuer,

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Mille Lacs Band of Ojibwe – A joint effort between @mlbononremovable and @minnesotahistoricalsociety/Minnesota Historical Society Press has resulted in the publication of five books in the Ojibwe language. It’s all part of the Mille Lacs Band of Ojibwe – Aanjibimaadizing Project, where sixteen first speakers collaborated with linguists, teachers, and Ojibwe language experts to create books. Along with the books, the Aanjibimaadizing project @rosettastone is developing an Ojibwe language learning program.

Shirley Boyd, a member of the Mille Lacs Band of Ojibwe, is fluent in Ojibwe. He participated in a group project with Rosetta Stone to create a curriculum to teach the Ojibwe language to future generations.

Of course, within Indigenous communities, we have different opinions and emotional opinions on different topics, and we don’t all think the same, act the same, vote the same.

“Indigenous people have a lot to teach the rest of us

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