Everything You Ve Always Wanted To Know About – Home Woody Allen (director, screenwriter, protagonist); David Reuben (… Everything You Always Wanted to Know About Sex (But Were Scared…)

Everything You Always Wanted to Know About Sex (But Were Never Afraid to Ask) (two original color photographs from the 1972 film) Woody Allen (director, screenwriter, star); David Reuben (book); John Carradine, Lou Jacobi, Louise Lasser, Anthony Quayle, Lynn Redgrave, Gene Wilder (protagonist)

Everything You Ve Always Wanted To Know About

Two vintage color studio photographs from the 1971 film. Noted as 6 and 8 in the lower left corners. Loosely based on David Reuben’s 1969 book. Seven comic vignettes focus on various strange and bizarre sexual inclinations, including exhibitionism, bestiality and sadism. 10 x 8 inches. One more very good, one very good, worn, with vertical creases in the center of the photograph. Seller inventory no. 150578

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Inspired by the book written by Dr. David Reuben, director Woody Allen tackles seven questions about sex by connecting seven not-so-connected stories. From aphrodisiacs to sexual perversion to the mystery of the male orgasm, characters such as a court jester (Woody Allen), a doctor (Gene Wilder), a queen (Lynn Redgrave) and a journalist (Heather MacRae) venture through laboratory experiments and quiz shows, all seeking answers to common questions that many would never ask themselves. Everything You Always Wanted to Know About Sex* (*But We Weren’t Afraid to Ask) is an anthology film in seven parts, each focusing, of course, on sex. From studies of sex to sexual perversions to what it means to be a sperm, it proved that Allen was a filmmaker brimming with ideas. This time, he also had a large cast and a large production budget to match.

The title is taken from a book by David Reubens, but the film has almost nothing to do with the book.

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Woody Allen’s rise to comedic fame came with the sexual revolution. In film and comedy, the ’60s saw more sex, and Allen helped. His stand up was full of sexual jokes. This increase in talk about sex sparked the book Everything You Always Wanted to Know About Sex* (*But We Weren’t Afraid to Ask). There were also a lot of sex comedies at the time, and more would come as the 70s and 80s progressed.

This film remains Allen’s most blatant film about sex. But of course he would be talking about sex for many decades to come. And it’s not that his first two films didn’t have plenty of sexual jokes.

The book was written by Dr. David Reubens and may be part serious look at the sexual revolution, part self-help book. The book, published in 1969, was originally optioned by Elliott Gould and producer Jack Brodsky. They sold the rights to United Artists who had signed Allen at the time.

Everything You Always Wanted To Know About Sex, But Were Afraid To Ask 1972, Directed By Woody Allen

The story goes that Allen saw Reubens on The Tonight Show talking about his book, and Reubens stole Allen’s line (from Take the Money And Run, 1969) about sex being dirty “if you do it right.” It is thought that Allen took the job and the entire film is just an elaborate revenge for that slight.

Allen simply took the chapter titles and created sketches that were completely unrelated to Reuben’s book. No doubt at least some were pre-existing ideas that Allen had that could fit the anthology format. In fact, Allen once claimed that she had put together “every funny idea he ever had about sex, including many that led to my divorce.”

Not that Allen knew it then, but his revenge, in the age of Google, is very effective. You can’t find Reuben’s book without finding Woody Allen.

Everything You Ever Wanted to Know About Sex was filmed in Los Angeles. It was Allen’s most expensive film to date, with many more locations, actors and sets than ever before. This was even before Allen made New York his home. Los Angeles was a good choice for all the different locations and studio sets. However, we don’t have real details on many of the specific positions.

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The sets and production values ​​saw a significant leap for Allen. Among the many sets created for the film was a giant breast. It was manned, with a person inside moving it and receiving instructions.

Allen was also improving as a technical director. With this film he will begin to emulate the works of European cinema that he loved so much and he will talk more about color, framing, styles and more. The Italian-inspired sequence was originally supposed to be about peasants in Italy, like The Bicycle Thief (1948). It was Louise Lasser who convinced Allen to make a film about rich, modern Italians, making it Allen’s most sophisticated film to date [3].

“I really started feeling that piece. I love. Some of the shots are very elegant.”

Yet another filmed scene was cut from this film. This time it was an entire section of the multi-part anthology. Titled “What Makes Men Homosexual,” it features Louise Lasser and Allen dressed as spiders named Sheldon and Lisa. Lasser, the Black Widow, would eat Allen. But she managed to think of a good ending and after two weeks of filming, she gave up on the scene. Many photos from the scene have been leaked. Oddly enough, Allen intended to use music from the ballet The Nutcracker Suite.

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Another scene was written – an Old Testament parody about a famous man masturbating, a parody of Genesis chapter 38 – but never filmed.

Allen would make films with brief digressions (like The Broken Harry, 1997), but would return to a true anthology film 40 years later with To Rome With Love (2012).

This is Allen’s first time working with a large cast. It wouldn’t be the last.

John Carradine was a regular at American westerns and horror films, and was already a legend at that point. He is making fun of his own persona in his fake horror role as Doctor Bernardo. He is the father of David Carradine, Keith Carradine and many other Carradine actors. Howard Cossell, the sports commentator who appeared in

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