Everything You Always Wanted To Know About – Everything You’ve Always Wanted to Know About Sex* (*but we were afraid to ask) is a seven-part anthology film, each of which, of course, focuses on sex. From studies of sex and perversion to the meaning of sperm, it all shows that Allen is a creative filmmaker. This time around, he also has a huge cast and a massive production budget.
The title is taken from a book by David Rebbins, but the film has almost nothing to do with the book.
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Everything You Always Wanted To Know About
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Woody Allen’s comedic fame came with the sexual revolution. The 1960s saw a lot more sex in movies and comedies, and Allen helped. His stand-up routine was filled with sexual jokes. The rise of talking about sex laid the foundation for Everything You’ve Always Wanted to Know About Sex. There were a lot of sex comedies at the time, and there would be more as the 70s and 80s went on.
The film remains Allen’s most overt film about sex. Of course, he would be talking about sex for decades to come. It’s not like his first two films weren’t without a lot of sex jokes.
Written by Dr. David Rubins, this book is as much a self-help book as it is a serious look at the sexual revolution. Released in 1969, the book was originally optioned by Elliott Gould and producer Jack Brodsky. They sold the rights to United Artists, which signed Allen at the time.
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Allen is said to have seen Reubens talking about his book on The Tonight Show, and Reubens stole Allen’s line (from Take the Money and Run, 1969), “If you do it right ”, sex is dirty. It has been suggested that Allen’s acceptance of the job, and the entire film, was simply an elaborate revenge for this slight.
Allen just took the chapter titles and made sketches that had absolutely nothing to do with Reuben’s book. No doubt there were at least some of Allen’s pre-existing ideas that he could fit into the anthology format. In fact, Allen once claimed that he would string together “every funny thought I had about sex, including several that led to my divorce.”
Allen didn’t know it at the time, but his revenge, in the age of Google, was very effective. You can’t find Reuben’s book without Woody Allen.
“Everything You’ve Always Wanted to Know About Sex” was filmed in Los Angeles. It was Allen’s most expensive movie to date, with more locations, actors and sets than ever before. That was before Allen settled in New York. Los Angeles was a great choice for all the different locations and sets that were done in the studio. However, we don’t have any real details for many specific locations.
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Allen’s set design and production values have improved significantly. Among the many sets created for the film was a huge breast. It’s manned, there’s someone inside moving it and receiving instructions.
Allen also continues to improve as a technical filmmaker. With this film, he will begin to imitate the European film works that he loves so much and talk more about color, framing, style, etc. Italian-inspired sequences were originally about Italian peasants, such as “The Bicycle Thieves” (1948). It was Louise Russell who convinced Allen to make the film about modern, wealthy Italians, making it Allen’s most complex film to date.
“I’m really starting to get a feel for that piece. I just love it. Some of the photos in there are so stylish.”
Another filming scene was cut from the film. This time, it’s a full part in a multi-part anthology. Titled “What Makes Men Gay,” the show stars Louise Russell and Ellen, who dress up as spiders and go by the names Sheldon and Lisa. Black Widow Riser will eat Allen. But he could think of a good ending and gave up filming after two weeks. Many photos from the scene have been leaked. Interestingly, Allen planned to use music from the ballet “The Nutcracker Suite.”
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Another scene was written – an Old Testament spoof on Genesis 38 about a famous masturbating man – but was never filmed.
Allen would make a few short side-story films (such as Harry, 1997), but 40 years later he would return to true anthology films with From Rome (2012).
This is Allen’s first time working with a large cast. This won’t be the last time.
John Carradine was a regular in American westerns and horror films and was already a legend at this time. He teased his character in a mock horror role as Dr. Bernardo. He is the father of David Carradine, Keith Carradine and many other Carradine actors. Sports commentator Howard Cosell, who starred in “Bananas,” turned down the role, fearing it would damage his professional reputation.
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Lou Jacobi plays the cross-dressing husband. The Canadian actor was well-known on the stage – he actually played Walter in Allen’s first play, Don’t Drink the Water (Allen would later play the role himself). He went on to appear in several comedies, including Arthur (1981) and Irma La Douce (1963).
Louise Lasser returns for her third consecutive Ellen film. Although the spider scene was cut, she appears in the “Why do some women have trouble reaching orgasm?” Allen actually cast real couples to play these characters (Richard Benjamin and Paula Pentress, John Cassavetes and Raquel Welch). He ended up performing with his ex-wife Russell. She was the only major actor to reappear in an Allen film, having a small role in Stardust Memories (1980).
Tony Randall plays an operator in the cerebral scenes. He is best known for the TV series The Odd Couple, which he was actually starring in at the time of this film’s release. He appeared in many films but eventually returned to his true love – the stage.
Anthony Quayle plays the King. This was the type of performance from the British actor, who played many historical and serious roles in films such as Lawrence of Arabia (1962) and The Wrong Man (1956).
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Lynn Redgrave plays his wife the Queen. Her family, like the Carradine family, is another showbiz dynasty. Redgrave has appeared in numerous film roles, including Gods And Monsters (1998) and Shine (1996). She is the only EGOT to be nominated only – being nominated for all four awards but not winning.
Burt Reynolds was just beginning his rise to stardom when he played the chief executive in The Brain . Also in 1972, he appeared in Deliverance, one of his major roles. He followed that up with a string of comedies that made him a sex symbol of American comedy in the 1980s. According to Reynolds, Allen never spoke to him on set.
Gene Wilder, in his only film with Allen, memorably played Dr. Ross, who falls in love with a sheep (he was, of course, famous for his relationship with Allen’s friend Mel · Brooks (better known as a collaborator). Based on his experience, Wilder said:
“It was like walking on a Bergman set: people talking in hushed tones and Woody had a serious look on his face. He communicated through silence.”
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David M Walsh served as director of photography. He was uninterested in the look and color of Allen’s previous films and initially turned down the job. He returned in “Sleeper” (1973) and went on to make great films such as “Sunshine Boys” (1975) and “The Goodbye Girl” (1977).
Production designer Dale Hennessy designed the very expensive sets. Especially in the final sketch “What happens during ejaculation?” Hennessey’s work is reminiscent of his own “Dream Journey” (1966). He will also return for the Sleepers.
He went back to Marvin Page to cast the film because he was working in Los Angeles (he also cast Take the Money and Run, which was produced in San Francisco).
The rest of the main crew were once the wonders of Allen’s world. Composer Mondale Lowe, editor Eric Albertson and others.
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Fun trivia – Phil Ramone, the music producer who defined the sound of legends like Billy Joel, Paul Simon and more, stars in this film Owns music recording rights.
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Everything You’ve Always Wanted to Know About Sex* (*But Were Afraid to Ask) was released in the United States on August 6, 1972. It snapped “Deliverance”‘s seven-week run at the top of the U.S. box office.
This movie, along with “Sam Play Again,” capped off a big year for Allen’s image. He appeared on the cover of Time magazine with the headline “Everything You’ve Always Wanted to Know About Woody Allen.” Allen, the black-and-white stand-up comedian from the ’60s, is fading from the public eye.
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